Fast moving shot? Camera zooming in and out on the action? We will look into a sports zoom shot which are very common in a TV commercials and can be a real hassle unless you have this skill under your belt.Ĭlass 8: Constraints. This is an amazing technique for accurately placing 3D points anywhere in your scene on (virtually) any object without actually tracking that point 2D! We can break our timeline down to influence our solution and set things up before moving into the layout phase in our 3D software.Ĭlass 7: The sports zoom.
FXPHD 3DE202 FREE
This is free and can be found here: Class 6: Multi frame reference point placement and reel-ins. You will also need the Lens Distortion Plugin Kit v1.8.1 for Nuke. If you wish to follow along, then please ensure that you have Nuke and Maya installed. The second half will be conducted in Nuke and Maya. 3DE has internal solution for this.but we will look at a more robust pipeline. We will look at the whole pipeline! Calculating the distortion, exporting what we need and running it through external software. Why spend this time on this when we can accurately render directly from 3DE? This time can be spent on get through more shots! These renders can be used on your reel!Ĭlass 5: Handling lens distortion and overscan.
FXPHD 3DE202 SOFTWARE
It is so often the case that so much time is wasted by: exporting the track > rendering in 3D software > compositing. In the studio, every track needs to be reviewed in daily sessions or screenings by your CG supervisor. In this example we will look at object tracking a moving motorcycle and achieving really clean animation which is vital for the wider CG process.Ĭlass 4: Rendering dailies very quickly directly from 3DE. This technique provides super accurate results for all kinds of object tracks. This is a really impressive technique that will make you stand out as someone who really understands the intricate logic behind this complex software.Ĭlass 3: Using reference images to directly affect object tracks. We can trick 3DE into thinking that we are working with a dynamic lens, when in reality we are actually reverse engineering the track to create a fixed focal length camera move.
FXPHD 3DE202 FULL
We look into a typical problem, where only a couple of markers were used during the shoot but we require a full 3D camera move. This technique will also prove invaluable for markerless 3D screen placements.Ĭlass 2: Tricking the calculation to solve impossible shots. We use simple python to create a free moving 3D object track to add a tablet device to a shot - when no tracking markers were used. Philip is currently working as a 3D artist at The Mill London and in this course is looking to build on your skills as a tracking artist.Ĭlass 1: Utilizing python scripts for markerless object tracks. During his career, Philip has worked in mainly films and commercials, along with training artists around the world. Philip Maddock is an established 3DE trainer who is once again delivering an in-depth course, demonstrating invaluable techniques in this industry leading software. We will look at techniques such as using straightforward python to help out when there is little to track, along with tricking the software into giving us great results when conventional approaches fail and constraining our results to the correct movement types. This course, taught by Philip Maddock, will show you amazing tips and tricks to power through your shots when the deadline is looming. In the studio, completing tracks quickly and efficiently is a vital part of the wider process and makes you stand out as an indispensable artist! Often other artists say: Wow! how did you do that so quickly!? or How did you manage to track this? I thought that shot was impossible!. FXPHD - 3DE202 3DEqualizer Tricks of the Trade
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